In the dystopian world of Boy Kills World, televised bloodsports reign supreme and dictate the social order. The citizens are kept entertained by these brutal competitions, except for those who are chosen for sacrificial purposes. The victims are selected to maintain the power of a family of tyrants known as the van der Koys. The film’s world-building is established quickly in the opening scenes, making it challenging to keep up with the fast-paced narrative.
The protagonist, “Boy,” played by Bill Skarsgård, witnesses the tragic deaths of his mother and sister before fleeing into the jungle. He is trained in martial arts by a shaman and is now ready to seek revenge. The film’s unique color palette and frenetic style may remind viewers of other films like Kill Bill and Oldboy, among others. However, Boy Kills World sets itself apart with its quirky and bizarre tone.
Director Moritz Mohr, with the support of producer Sam Raimi, delivers an action-packed film that will leave viewers breathless. The high body count, cartoonish violence, and hyperactive camera work create a video game-like sensibility that is both exhilarating and overwhelming. Despite its excessive nature, Boy Kills World’s relentless energy and absurdity make it an entertaining and unique viewing experience that will have you on the edge of your seat from start to finish.