The film “Boy Kills World” presents a manic action scenes that are full of violence and fast-paced camera movements. Bodies fly through the air, limbs break, and blood is spilled in these violent sequences. The presentation of violence is similar to that seen in other fight scenes, such as the Frosty Puffs massacre. The film implies that all violence is connected to video games, like the character’s inspiration from a “Street Fighter” game for his voiceover narration. These action scenes have the same pace as spy movie parodies, prioritizing camera movements and impact over storytelling.
The filmmakers of “Boy Kills World” seem to be too involved in the film, which hinders the enjoyment of the action sequences. The meta-criticism within the film, such as Gideon’s frustration with an actor’s lack of feeling, adds layers of complexity to the narrative. However, these elements do not necessarily add depth to the overall story. The audience is not allowed to passively watch the film, and the plot twists in the third act disrupt the Boy’s revenge plans without providing meaningful conclusions.
The underdeveloped performances of the cast members and lack of trust in the audience’s ability to connect emotionally with the film are evident in “Boy Kills World.” While actors like Copley, Skarsgård, and Ruhian deliver their roles effectively, the film overall feels like it could have been directed and scripted by the Van Der Koys themselves.